Anna Safley Houston amassed what has been termed by some experts to be the finest collections of such objects in the world. Stunning art glass pieces including Tiffany, Steuben, Loetz, Durand, Amberina, Plated Amberina, Pomona, Peach Blow, Burmese, Cranberry, Satin and more are among the inventory. There are cut glass vessels and over 600 patterns of Early American pressed glass, as well as Mary Gregory-type glass in abundance.

At one time, Mrs. Houston owned 15,000 glass and ceramic pitchers, surely the largest collection of its type in the world. Today the entire collection numbers approximately 12,000 pieces -- over 50 smaller collections within the larger assemblage. A generous sampling of lustreware -- copper, pink, yellow and silver -- and numerous pieces of Staffordshire, Wedgwood, Royal Bayreuth, Royal Worcester, Doulton, Royal Doulton, Rockingham-Bennington pottery, Parian, Meissen, Chinese export porcelain, Mettlach steins, Toby jugs, face mugs and humidors are highlights of the ceramic holdings.

American art pottery adds special interest to the mix. There are Newcomb, Rookwood, Weller and Roseville creations. An Alabama butter churn is among single objects drawing visitors’ special attention. All in all, there is an overwhelming number of treasures to behold.

A sampling of the amazing glassware and ceramic items follows.

More than 75 rare steins are displayed on shelving in the second floor hall of the museum. Many were produced by Villeroy and Boch at its factory in Mettlach. The colorful vessels include krugs and children's steins and are shown with some novelty pieces from Royal Bayreuth, including the highly collectible Devil and Cards grouping.

Supposedly named for a notorious drinker of the eighteenth century, the first Toby jugs were used for beer. The Houston Museum is fortunate to possess a fine collection of Toby jugs and face mugs, which are seen here against the backdrop of one of the museum's fine corner cupboards.

Miniature lamps, or "courting lamps," were used as night lights in the last half of the nineteenth century. They were made in many types of glass. The miniature lamp collection at the Houston is a collector's dream.

Art glass baskets were favorites of the Victorians. All types of art glass were used in their creation, along with lots of the artist's imagination. The Houston Museum features an extensive collection of these baskets, both in full size and miniature. The late Robert Miller, antiques expert, wrote a book on the Art Glass Basket, using Houston pieces as illustrations.

A cherry Pennsylvania cupboard, circa 1850, holds some of the Houston's extensive collection of antique majolica, the brightly glazed earthenware pottery that delighted the Victorians after Henry Minton's re-introduction of it at the World Exposition in 1851. Prized among the museum's majolica holdings is a fish set by Joseph Holdcroft with six matching plates (in foreground). The cupboard displaying the majolica features candle drawers, bun feet and spoon slots.

The Houston Museum's upstairs dining room features fine examples of early Staffordshire, flow blue and a complete set of Charles Dana Gibson Girl plates by Royal Doulton, as well as a number of handsome pieces of antique furniture. A unique collection of antique pickle castors is exhibited on window shelving. A photograph of museum founder Anna Safley Houston with her beloved dog, Sonny, hangs on the wall at left.

The butter churn of alkaline glazed stonewear bears a thumbprint at the base of both handles that identifies the piece to be from the Belcher's Gap area in North Alabama, where much beautiful pottery was made over a span of 60 years, beginning sometime in the 1850's and continuing until the end of the first World War (1918). The area was rich in kaolin, the main ingredient in the manufacture of porcelain. Belcher's Gap is in the Wills Valley.

The Houston Museum's pattern or pressed glass room displays many rare pieces, including an impressive sampling of coin glass. Many pitchers hang from the ceiling, reminiscent of their early storage in Mrs. Houston's original barnlike building. At least 600 different patterns are represented.

Mrs. Houston's apparent affection for cranberry glass is borne out in the large number of cranberry pieces in the collection, including numerous pitchers, creamers, cruets and bowls. These shelves are in the upstairs Cranberry Room, which features a beautiful cranberry chandelier. Window shelving above the front hall staircase is also filled with cranberry pitchers.

Stunning examples of art glass pieces by Tiffany, Steuben, Loetz and Durand adorn the mantlepiece in the downstairs front parlor. Some of the pieces are from the original Houston collection. Others have been donated since Mrs. Houston's death, including a Louis Comfort Tiffany favrile late 19th century bowl (center) in gold and blue tones, which was added to the Houston collection in May 2009.

Handsome examples of cameo glass, including two signed Galle pieces, are displayed on one of three sugar chests in the Houston collection, a tiger maple chest with cherry top made in Tennessee between 1790 and 1810. Other cameo pieces in the grouping are by Thomas Webb, Val St. Lambert and J. Michel.